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Peter Beard




The fabulous Peter Beard diaries have just been released by Taschen in a smaller more economical version with a beautiful cloth cover and case. I have hankered after these books since the day I discovered Peter Beard about four years ago and Francesco bought them for me for my birthday. I had a couple of his smaller books, The End of the Game and I havc always loved his diary work. An inspiring, artistic, creative masterpiece, every page is a banquet.
Beard took his first pictures at twelve. and kept a diary from a young age. Photography quickly evolved into an extension of his diaries, as a way to preserve and remember vacations and favorite things. Trips to Africa in 1955 and 1960 piqued his interests and after graduating from Yale, he returned to Kenya via Karen Blixen (Isak Dinesen) in Rungstedlund, Denmark. In the early 60s he worked at Kenya’s Tsavo National Park, during which time he photographed and documented the demise of over 35,000 elephants and 5000 Black Rhinos and published two The End of the Game books (1965 & 1977). During this same time period, he acquired Hog Ranch, the property adjacent to Karen Blixen’s near the Ngong Hills and made it his home base in East Africa. Beard has written further works on his African experience: Eyelids of the Morning: The Mingeled Destines of Crocodiles and Men(1973), Longing for Darkness (1975), and his most recent books Zara’s Tales: Perilous Escapades in Equatorial Africa (2004) written for his daughter and his latest book Peter Beard, published by Taschen.


I will leave you with his word's " I could never have guessed what was going to happen. Kenya's population was roughly five million, with about 100 tribes scattered throughout the endless "wild—deer—ness" - it was authentic, unspoiled, teeming with big game — so enormous it appeared inexhaustible. Everyone agreed it was too big to be destroyed. Now Kenya's population of over 30 million drains the country's limited and diminishing resources at an amazing rate: surrounding, isolating, and relentlessly pressuring the last pockets of wildlife in denatured Africa. The beautiful play period has come to an end. Millions of years of evolutionary processes have been destroyed in the blink of an eye. The Pleistocene is paved over, cannibalism is swallowed up by commercialism, arrows become AK- 47s, colonialism is replaced by the power, the prestige and the corruption of the international aid industry. This is The End Of The Game over and over. What could possibly be next? Density and stress — aid and AIDS, deep blue computers and Nintendo robots, heart disease and cancer, liposuction and rhinoplasty, digital pets and Tamaguchi toys deliver us into the brave new world".

Vee Speers The Birthday Party





Paris based Australian born photographer Vee Speers series the Birthday party was one of the personal standouts for me at the recent Paris Photo. Birthday Party is a fantastical series executed with great simplicity and a wonderful imagination. Imagine a birthday party with a twist, amongst the princesses and the boxers, the soldiers and the retro bathing beauties are the characters from the darker side of some childhood fantasies. A rodent exterminator or a scary looking collector of dolls, a circus perfomer with a one size too small sailors suit and a girl dressed in white holding a dead rabbit. Some images are unsettling and some images I covet to hang on my walls. Vee Speers was inspired when she threw a birthday party for her daughter Sienna and one of the tiny guests arrived in a three piece suit. Sienna is one of Vee's muses in this series beautifully transforming herself from a singer to a beautiful girl dressed in a harlequin skirt and to the party girl blowing a huge bubble. These photos are timeless. Vee Speers has achieved this with her wonderful cast of character, the simple use of an old wall as a background, styling that is hard to place in any particular era and hand tinting to original Polaroid images.