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Showing posts with label Contemporary Art Exhibition. Show all posts
Showing posts with label Contemporary Art Exhibition. Show all posts

Jean-Michel Othoniel, " MY WAY "

An artist who has a passion for all sorts of metamorphoses, sublimations and transmutations, Jean-Michel Othoniel has a predilection for materials with reversible properties. From March 2, 2011, the Centre Pompidou will be the first major cultural institution to put on a one-man show of Jean-Michel Othoniel's work from the beginning of his career in 1987 to the present day, with more than 80 pieces on display.

In collaboration with the artist, the Centre Pompidou will offer a retrospective of his plastic work entitled My Way. Composed of an ensemble of 24 hitherto unseen works, the exhibition is mapped out in different stages involving research and experimentation up until the mid-90s, when Othoniel began to use sensitive materials like sulphur, phosphorus and wax, weaving his way between beauty and repulsion. The artist explores the boundary between the organic world and the natural world and questions the limits of the genre. After discovering glass, its color and the infinite artistic possibilities of the medium which combines strength and fragility, Othoniel's work took on a more sculptural quality and acquired a new monumentalism.


After the Centre Pompidou, the exhibition curated by Catherine Grenier, will travel to the Leeum Samsung Museum of Art in Seoul in the summer of 2011 and then to the Hara Museum of Contemporary Art in Tokyo in the fall, and last to the Brooklyn Museum in New York in the spring of 2012.


Jean-Michel Othoniel was born in 1964 in Saint-Etienne, France. He lives and works in Paris.


" My Way," (reference to the song by Frank Sinatra) is not a cover version of the classic. The song evokes instead a more solitary, individual path for me. A path which is mine in part, while also amidst various movements in contemporary art that I have passed through over the last 20 years. In addition, My Way is a title that can easily be understood in countries where the exhibition will be held, that might be called a ' mid-career retrospective.'



Le Bateau de larmes, Boat of Tears, 2004
Murano glass, metal, wood
@Jean-Michel Othoniel / Galerie Perrotin, Paris


Riviere blanche, White River, 2003
Murano glass, steel
@Jean-Michel Othoniel / Adagp, Paris 2010 / Galerie Perrotin


Le noeud de Lacan, Lacan's Knot, 2009
Mirrored glass, metal
@Jean-Michel Othoniel / Adagp, Paris 2010 / Galerie Perrotin


Amant suspendu, Suspended Lover, 1999
Murano glass
@Jean-Michel Othoniel / Adagp, Paris 2010 / Galerie Perrotin


Diary of Happiness, 2008
Murano glass, lacquered wood
@Jean-Michel Othoniel / Adagp, Paris 2010, Galerie Perrotin


Les Mises a feu, 1989
Explosives fuses
@Jean-Michel Othoniel / Adagp, Paris 2010 / Galerie Perrotin


Le Petit Theatre de Peau d'Ane, Little Donkey-Skin Theatre, 2004
Ensemble composed of 4 dressing tables, glass, lacquered wood, embroideries, lace , fabric, silk
@Jean-Michel Othoniel / Adagp, Paris 2010, Galerie Perrotin



Courtesy Centre Pompidou
My Way, March 2 - May 23, 2011
Galerie Perrotin




In Praise of Doubt at Punta della Dogana

Sunday, April 10 was the opening of In Praise of Doubt, the latest contemporary art exhibition held at Punta della Dogana, a former Venetian customs house built in the 17th century and redesigned by architect Tadao Ando.
The exhibition In Praise of Doubt offers a thematic presentation exploring the strength and weakness of the human condition, based on a selection of works from the Francois Pinault Foundation Collection.


Drawing on emblematic works from the 1960s - and right up to the most contemporary  creations - the exhibition aims to pay homage to doubt in its most dynamic manifestations; through its strength in challenging prejudices, conventions and certainties.


The specific architectural nature of Punta della Dogana emphasizes this proposition. Each artist is presented in a dedicated area, and yet each is open to the others, as a result of the transparent features and passageways of the building.


The exhibition illustrates the passion and commitment of the collector, French billionaire fashion tycoon Francois Pinault, who has appointed Caroline Bourgeois as the curator of this show.


Of the 20 artists shown in the exhibition In Praise of Doubt, almost half have never been included in previous exhibitions of the François Pinault Collection. The artists include Adel Abdessemed, Marcel Broodthaers, Maurizio Cattelan, Subodh Gupta, David Hammons, Roni Horn, Thomas Houseago, Donald Judd, Edward Kienholz, Jeff Koons, Paul McCarthy, Julie Mehretu, Bruce Nauman, Sigmar Polke, Thomas Shütte, Elaine Sturtevant, Tatiana
Trouvé and Chen Zhen. 
The exhibition will present newly commissioned works by Julie Mehretu and Tatiana Trouvé, specially created for the site.








Jeff  Koons
Hanging Heart (Red/Gold), 1994-2006

Donald Judd
Untitled

Adel Abdessemed
Practice Zero Tolerance, 2006, Sculpture, cast of a BMW, terracotta
Wall Drawing, 2006, Barbed wire

Bruce Nauman
3 Heads Fountain, 2005
Perfect Door, Perfect Odor, Perfect Rodo, 1972

Elaine Sturtevant
Felix Gonzalez-Torres, AMERICA AMERICA, 2004

Tatiana Trouve
Notes pour une construction, 2011


Maurizio Cattelan
All, 2008, 9 sculptures, white Carrara marble "P"


Julie Mehretu
Untitled, 2011, ink and acrylic on canvas



In Praise of Doubt, April 10, 2011 - December 31, 2012
This post is featured on the Huffington Post