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Showing posts with label equestrian. Show all posts
Showing posts with label equestrian. Show all posts

checking it out- once & again

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not to flog the dead horse-which is an absolutely horrible expression & what exactly does it mean, anyway?

Perhaps its first usage is found in 17th century slang- "His land 'twas sold to pay his debts; All went that way, for a dead horse, as one would say "- meaning something is owed before it is earned. From the halls of Parliament in 1867 British politician and orator, John Bright- in referring to the Reform Bill of 1867, said trying to persuade them would be like trying to 'flog a dead horse to make it pull a load.' And finally from The Globe in 1872-quoted someone  saying -to have "rehearsed that [...] lively operation known as flogging a dead horse." (The Oxford English Dictionary)


 Carolina Herrera 1970


but-
I would be remiss if I didn't catch up my checks and share this recent photograph from the social columns in New York of the beautiful Carolina Herrera at a charity event in the city.  Wearing one of her own designs- of course- and it's made from the check I was so carried away with at the Met Gala a few weeks ago. Not to mention the absolute confident chic of not shying away from repeating that oh so memorable check! Of course this is the Lady that manages to pull off  the elegant sweep of a ball gown & fitted shirt-impeccably tailored, both.






images above from Vogue.com



the designer at home 




Checks can do wonders for a room- take a look at this Lars Bolanger room. The check draws  you right in, along with some equally bold accenting elements: the swirling Renaissance columns, the hide rug -all anchor an airy French sofa & chairs.





One of my great and gracious readers sent  this Michael Smith  House Beautiful image to me after I had waxed so about checks. What a gorgeous room and again, we find many strong elements of note.  A seemingly formal room, perhaps brought down to earth a bit by the check curtains- but certainly their presences pleases and wakes up what might otherwise be a too formal room. Noted pieces in the room are the striking Chinese ancestral portraits and an exuberant French gilt settee. Another special touch -the meandering Indiennes print used on a number of pieces throughout the room.


Michael Smith (from House Beautiful)


This room-profuse with the scent of summer-it has to be the pale lovingly washed check slipcovers cooling off a sofa and a pair of wing chairs. This picture has been in my design files so long it doesn't carry room credits-sorry. I especially, need I mention, love the checks, but also that the designer or design savvy owner has selected the check to make up the slipcovers &then simply- let It be. No fussing or too much pressing on slipcovers, the cords and checks waver a bit off course-the skirts sag and rise a little, but  what's the point of slipcovers without the actual ease and devil my care attitude they bring to mind. Slipcovers are not for the You-of the rigid mind.
Stay away from slipcovers if you have any idea of imposing perfection on your rooms.
You will be sadly disappointed in this casual & easy elegance.





The John Stefanidis room with formally designed window dressing - a swag & jabot over full flowing curtains- helps create a less serious air to an otherwise formal interior. Imagine-if you will- the same design in a red silk damask, maybe edged in pretty passementerie- Pretty yes, but not as inviting.  A check manages to maintain its dignity in any setting-think of Jane Austen when you think checks- always trust it and it will never disappoint you. You know it will always lighten up the atmosphere & no matter how many times you see it or employ it- 
it will always come up to the mark.




A parting shot-
Suzanne Rheinstein seems to have captured the check to its imperfect perfection. Placed pleasantly on a pretty settee- curving gently around the sides-bending ever so slightly off course-in all its charm. Fiddle on those who disavow a check -for its never quite lining up on curves- or for that matter, the naysayers who remind you -
Oh No- Never a check on a tufted chair!
It works-
It always works & still manages to inspire.

 

I can't promise that check won't make an encore. I'd be very surprised if they didn't inspire us both again & again.


 CAROLINA HERRERA here


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On riding: Essex Woodlands

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"Epping Forest where the bracken is still many feet high."
 When all was still beautifully untouched in their world.





captioned: Many riders are making the most of the autumn days in the Essex woodlands for winter will soon ve here vringing with it conditions unsuitavle for the children and their ponies. -Nov 7, 1936 (photograph from my collection)


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on Riding : Essex bracken

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Riders amid the bracken at High Beech, Essex, where the undergrowth is assuming golden autumnal tints.


 Fall 1936

on Riding : First Coursing Meet of Irish Wolfhounds

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from my collection,

captioned: The first coursing meeting in this country of Irish Wolfhounds took place on Wednesday near Amesbury (Wilts) Two of the dogs in the slips.

James and Florence Nagle were both very keen on animals being able to do the work they were bred for and he was a driving force behind the setting up of coursing meetings and the foundation of the Irish Wolfhound Coursing Club. The first coursing meeting was held near Amesbury, Wiltshire (the Nagle's home at the time) in February, 1925. .
"Mr. J. Nagle writes that he has some very interesting entries for the coursing meeting, and that several very well-known winners on the bench are to take part. Mrs. Southey is running Crewkerne Georgie (winner bitch challenge certificate at LKA) and another. Mrs. Beynon is running three or perhaps four. This is an interesting entry, as all her hounds have hunted big game in Kenya, and that good sportswoman is anxious to see how her hounds perform against the English-bred hounds. Lady Watson will probably run her hound, Sulhamstead Pedlar (the sire of Ch. F. Kilcullen). Pedlar is now in his sixth year, but kills hares regularly and will make some of the younger hounds gallop. The greatest support seems to come from the fair sex, and the entries by men are so far Mr. Nagle's Sulhamstead Thelma and the writer's Ch. Felixstowe Killcao.

"I know that Mr. Nagle has splendid and ample accommodation for the hounds that will take part, and that the air at Stourbridge is indeed very bracing, so that both owners and hounds should have an enjoyable outing. There are no fences or ditches, so that risk of injury is reduced to a minimum."

Another publication ran an article with several pictures, with the title "Irish Wolfhounds for Coursing: Some of the entrants for the forthcoming official meeting near Amesbury, Wiltshire. The idea of holding coursing meetings with Irish wolfhounds came some long time ago from Mr. James Nagle, of Amesbury in Wiltshire, and at last a meeting has been arranged to be held near Amesbury in January, under National Coursing Club rules. Support has been promised by many well-known breeders, and a good entry is expected. Mr. Nagle, who has had a very wide experience of these dogs, has found that they have plenty of speed, can outstay a greyhound over a long course and are only a little slower at killing. By reason of their great size the Irish wolfhound is probably the most powerful breed of dog in the world and Mr. James Nagle's famous Champion Felixstowe Kilcullen, a son of Lady Watson's Sulhamstead Pedlar, is of such giant proportions that he must be one of the largest dogs anywhere in the world. Although they are growing steadily in popularity here, wolfhounds are not in such great demand as in North America and such places where they are trained to combat the prairie wolves who prey upon the flocks. The projected meeting will be awaited with much interest."


All text linked- here

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on Riding : the up to date Huntswoman

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in my collection of photographs, captioned : 'Mrs Keith Simmons, who is here seen with some of the hounds, wore complete masculine hunting kit at the meet of the Tedworth Hunt at Tottenham, in the Savernake Forest. The occasion was taken to present to the Earl of Cardigan a silver box in celebration of his coming of age.

no dates- but likely 1938-40.
the Hunt here


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on Riding : Miss Scrimgeour's Riding School by the Sea

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one of my own photographs- Pupils from Miss Scrimgeour's* Riding School- 1932, gallop along the sands at Selsey. She- by this time in her 70's ran one of the finest and largest riding schools in the country attracting pupils for all over Britain. 'Miss S. must be the oldest woman in the country teaching children to ride and regularly takes about 40 pupils across the firm sands for morning exercise. She breeds all the ponies herself and always wears a sou'wester.'(Fox Sept.14th.32.)


*Scrimgeour E. R. (Miss), riding mistress, St Winifred’s, West St