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Showing posts with label Chic. Show all posts
Showing posts with label Chic. Show all posts

Vivier CHIC

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We've talked about CHIC- and last week I was in New York-probably considered one of the most chic cities in the world. Perhaps autumn's unkind 80 degree weather created a chink in CHIC at October's end. What does one wear when one wants to wear fur?-and they did, velvet? and they did, coats? and they did. This Southerner was flummoxed, and hot-not in a good way. I got by with a short Burberry trench and a McQueen silk stole, so I did look somewhat put together. I am happy to add I mostly wear sensible shoes-my soles would not have it any other way- so- I did no Roger Vivier trodden on the pavement or pounding it. I did stop in at SAKS to eye VIVIER, since this post was in the works before the trip & there is No Doubt CHIC perfectly describes the Vivier shoe- the man, his style and his home.


"SUPPOSEDLY it was Christian Dior, who while working in his atelier with the legendary cobbler Roger Vivier, was moved to coin the word “footwear.” “Imagine discussing Marie Antoinette’s shoes!” Dior was said to have exclaimed. From then on, M. Vivier, when speaking of his creations, never used the s-word again. Or so the story goes." (nytimes-Zarah Crawford)






Vivier takes flight
echoing the same exuberant flight of fantasy his collage exuded






VIVIER ART 

C H I C







the Fragonard of the shoe 
the Faberge of footwear

the father of the Stiletto heel


VIVIER SHOE

C H I C














ROGER VIVIER









VIVIER HOME

C H I C



As with his footwear, Vivier approached the interiors of his Paris apartment, shared with Jacques Damase, like sculpture. The assemblage of period antiques,objects and art were displayed strategically with space to breathe. Louis XV chairs sit sculpturally against white walls. A Serge Poliakoff painting is framed in an Italian 16th century frame. Poliakoff had been influenced by the Delaunays' emotive color studies and the sculptor Otto Freundlich's curved colour-form compositions. His palette of browns and greys open to accommodate bright colors like Vivier's. Objects like the Egyptian Ibis is displayed on a 16th century lacquer Chinese table & it coexists harmoniously with a Venetian Saint Sebastian placed on an ormolu Louis XVI table.


Deliberate juxtaposition ruled the residence. A striking Carlo Segio Signori sculpture dominates a Coromandel screen and an ancient Cycladic idol. Perfect balance pervades in this Vivier setting. A Jean-Michel Atlan painting hangs defiantly over a Louis XVI chair from the Rambouillet Palace, still in its original leather. Atlan, a self taught painter, a teacher, poet and member of the French resistance found a place exhibiting his paintings alongside Braque & Matisse. Atlan recreated the rhythmic elements of poetry in the heavily blackened outlines of pastel forms. A lyric or hieroglyphic message emerges in many Atlan's paintings.





Vivier's 12th century "shoeless" Chinese goddess floats along a wall in the sitting room where Louis XV chairs in red leather reside alongside a Mies van de Rohe's Barcelona chair. 






Vivier showed up in the cinematic masterpiece by Luis Bunuel, Belle de Jour, on Catherine Deneuve's feet. ( l.),  in its current incarnation- Vivier's own masterpiece. The Vivier shoe was a sensation. Bruno Frisoni has adopted the de Jour shoe's geometric buckle as the Vivier signature.









Frisson carried on with the cinema CHIC of Roger Vivier in the footwear he designed for Cate Blanchett in Ridley Scott's Robin Hood 









More "Poliakoff" colors found there way  into many of Vivier's creations.






the

C H I C 

VIVIER site here.

utterly charming with true C H I C-and we do not use the C word loosely, No?. explore it in depth. there are wonderful photographs of the Vivier apartment there and the design House of Vivier






Bruno Frisoni is responsible for the revival of the Vivier mystique and as its creative director he has been searching the Vivier archives for inspiration- his homage to and his interpretation of Roger Vivier's style has made it the most CHIC footwear today. It is firmly ingrained luxury. There is a twist of the modern-a newness-but not trendy-no Never-just witness the Jimmy Choo ugg?
No not here, thankfully-but then THAT is nowhere near our word-CHIC, not even close.






VIVIER with

 C H I C 
to spare 


Another photograph of the VIVIER interior takes the idea of spare Chic into the dramatically lit Hall. The stone Burgundian goddess of plenty, Pomona, confronts a Cesar Baldaccini Compression sculpture. Cesar is known as the great innovator of modern metal sculpture and took the idea of junk cars in America being compressed for scrap. Cesar said "although I had received a classical academic training, my vision changed through my work with scrap iron. I entered the factory world and learned to approach recuperated materials in their own language."












In Ines de Fressange, ROGER VIVIER brings the epitome of CHIC to the label.  




Ines Little Diaries here






the design House of Vivier has been revived beautifully since 2002 by Bruno Frisoni- carrying the idea that a VIVIER shoe is sculpture and for Fall 2010 Frisoni says “Be classic and chaste with a modern touch” .




  Gwyneth Paltrow in Roger Vivier
(that clutch GP is clutching is CHIC, truly)





Madame Sarkozy carrying a ladylike MISS V Vivier bag




Vivier Sculpture taking flight today




all VIVIER interior images from The Best In European Decoration, edited by  Georges & Rosamund Bernier
&  once there find- Ines Little Diaries here -

VOGUE covers VIVIER here
a Vivier Hong Kong shop here
Vivier on Giglio here
at Adrianna Sassoon-read all about VIVIER here  


more sites that are already linked on this post-


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more Chic?

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American CHIC
TIME covered it in 1976.





magazine covers abound with CHIC- this week the November December issue of DEPARTURES arrived with CHIC on its cover.


 
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"no," not Chic.

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while we are on the Topic of overworked words (yes- we are),
take
CHIC.
How overworked is that one?
what defines, who defines? is there really that much CHIC in the world?

here is my example of CHIC. anyone Not meeting the visual standards of this particular woman is not CHIC, likely many other lovely things
but-
No,  Not CHIC.

 Amy Fine Collins painted by Ike Ude


 C H I C -

1856, from Fr., originally "subtlety," perhaps related to Ger. schick  "tact, skill," from M.L.G. schikken  "arrange appropriately;" or from Fr. chicane,  from chicanerie.
 

"elimination is the secret of chic." Harper's Bazaar

in other words less More.


photograph by Nick Hunt/PatrickMcMullan.com
your definition of CHIC if you please?



see more Collins Chic here

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India Chic


When my grandmother moved to India over 60 years ago she was fresh out of college
and newly married to my grandfather, a United Nations diplomat. They settled in
Delhi just as the subcontinent began the transition from being ruled by white
sahibs and maharajas to becoming
the biggest
democracy in our world today. While my grandfather filled his days with UN
business, my grandmother submerged herself in urban India’s art and culture
scene. She aided struggling artists get visas abroad, where they were soon
catapulted into fame. Modernist painter M.F. Hussain and Ravi Shankar were
amongst her friends. My grandmother helped these artists leave India to achieve
their dreams because in India it was en vogue to emulate Anglo culture.
So-called positivism art and distinctly Indian music was not chic to the few
wealthy Indians who could afford to support the artists. It must be noted however that M.F. Hussain one of India's best known artists is also highly controversial artist. Hussain has been accused of obscenity in several cases filed against him in a number of Indian states. He is alleged to have offended Hindus with a painting in which he represented India as nude goddess. 





Nude 'Bharatmata' Painting by MF Hussain






Photo: This Year's India Fashion Week






I
am happy to say that "not chic" is is the case no longer. I recently returned from three
months in India, a trip that I had been dreaming of since childhood when I sat
enraptured by grandmother’s tales of exotic adventures across the Subcontinent.
Having read numerous books about the growing “consumer class” in India and the
globalization—or Americanization—occuring around the globe, I worried that I
might find Mumbai (formerly Bombay) and other cosmopolitan hubs filled with
women in jeans and Wal-Marts. Wealthy Indians are indeed growing in number and
in wealth, but I discovered that this does not necessarily coincide with the
forsaking of Indian culture and style. 
In fact, it has lent itself to a fantastic convergence of Western trends
that you might spot at New York’s fashion week and Indian traditions.  Luxury malls not only contain Louis Vuitton and Prada, but also local designers. Wandering around Colaba, in South Mumbai you can stumble upon a number of designer shops. They contain western-styled fashions made from beautiful Indian cut-silks, elaborate wedding sarees, printed cotton kaftans for the beach and beaded gold sandals. What’s great is that these aren’t just exotic finds for wealthy tourists to wear in Goa, but are pieces that you see Indian women wearing out on the street (though she may have a Prada handbag to accessorize…).






For
one, you can see this in the case of music. Mumbai has a number of hip, high-end music venues and clubs where you
can find a renowned tabla player just as often as an international jazz
quartet. Musicians no longer must seek financial stability abroad, but can find
a base of support from Indian youth and adults alike. South Indian film
composer AR Rahman has been a national celebrity in India for decades and only
recently came to international attention, winning a Golden Globe and Academy
Award last year for Slumdog Millionaire. He is known for combining rock, pop,
Carnatic, Hindustani and Western classical styles to create a uniquely
modern—yet Indian—sound. 




Indians
have always been adept at creating great hotels (the Taj Mahal in Bombay was
established in 1903 after its creator was refused entry into the “whites only”
British-run luxury hotel), but this year the ITC group has taken it to a new
level. The
ITC’s Royal
Gardenia Hotel
 in Bangalore has opened India’s first LEED-certified
eco-hotel and is based on the concept of merging luxury and
environmental-friendliness, proving that you don’t have to forgo one for the
other. Décor is inspired by local Mysore design, and Indian reviews raved that
the bathrooms even include Indian-style toilets (a surprising rarity in the
country), also proving that you mustn’t trade Indian traditions for
Western-style luxury... as exemplified by the unique vertical gardens in the Royal Gardenia's lobby. 















Finally,
and what was most exciting to me, was the fashion in India’s urban centres.
While I was expecting to find the great fabrics of Rajasthan and chunky Tibetan
silver in the North, I hadn’t anticipated the fantastic, rather high-end
shopping in Mumbai, Delhi and Calcutta. 






My favorite store was Bombay Electric, where they source
hand-woven cashmere sweaters, vintage photos of maharajas, and sequined
mini-dresses made from Indian cut-silk (as shown above). 





Guest Post Author For Globally Gorgeous:


Sarah Malachowsky