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Showing posts with label Covers. Show all posts
Showing posts with label Covers. Show all posts
that's LIFE June1, 1942
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glamorous Hedy Lamarr made to cover of LIFE June 1 1942. her "of the moment movie" was TORTILLA FLAT. from novels-to film.
glamorous Hedy Lamarr made to cover of LIFE June 1 1942. her "of the moment movie" was TORTILLA FLAT. from novels-to film.
Holiday heat up
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The approach of Christmas brings harassment and dread to many excellent people. They have to buy a cart-load of presents, and they never know what to buy to hit the various tastes; they put in three weeks of hard and anxious work, and when Christmas morning comes they are so dissatisfied with the result, and so disappointed that they want to sit down and cry. Then they give thanks that Christmas comes but once a year.
& thank you Reggie Darling for adding this- a 1946 Irving Penn photo of Dorian Leigh and Ray Bolger (yes, the Scarecrow in the Wizard of Oz). A B&W original print of this just sold at Christie's for $30,000 earlier this month.
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The approach of Christmas brings harassment and dread to many excellent people. They have to buy a cart-load of presents, and they never know what to buy to hit the various tastes; they put in three weeks of hard and anxious work, and when Christmas morning comes they are so dissatisfied with the result, and so disappointed that they want to sit down and cry. Then they give thanks that Christmas comes but once a year.
Mark Twain from- Following the Equator
& thank you Reggie Darling for adding this- a 1946 Irving Penn photo of Dorian Leigh and Ray Bolger (yes, the Scarecrow in the Wizard of Oz). A B&W original print of this just sold at Christie's for $30,000 earlier this month.
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more Chic?
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American CHIC
TIME covered it in 1976.
magazine covers abound with CHIC- this week the November December issue of DEPARTURES arrived with CHIC on its cover.
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American CHIC
TIME covered it in 1976.
magazine covers abound with CHIC- this week the November December issue of DEPARTURES arrived with CHIC on its cover.
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DV: RE on Maudie
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to MRS. MELLEN from MRS. VREELAND
copy to date September 23, 1970
to MRS. MELLEN from MRS. VREELAND
copy to date September 23, 1970
I got Dick's enthusiastic note about Maudie James.
We have photographed her several times
for covers from London.She has no eyes
at all in a picture but a beautiful mouth.
However, why doesn't Dick use her a bit before
he uses her for us as perhaps by adding something
else to her we can do something for the eyes.
She is one of the few English girls who has no eyes at all.
UK cover of Maudie James with eyes and brows. See other covers here on Vogue Archives.
don't you just love Diana Vreeland, I never tire of reading her memos.
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don't you just love Diana Vreeland, I never tire of reading her memos.
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barefoot, and pregnant?
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the next barefoot cover I want to see is something like this- with maybe- a remake of the movie? could you imagine an actress today that could touch the incomparable AVA GARDNER?
NO?
No.
NO?
No.
(but this is about what I might expect from Hollywood-Demi that is)
NO?
that's a NoNo.
NO?
( actually a thought-IF it came to that )
NO?
NO. NO. a thousand times NO.
NO?
honest, I don't even kNOw who this is.
NO?
NO, all I can say is NO- not even as a Count.
NO, no more barefoot anything please.
Unless, it's this, & make that the Original.
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the next barefoot cover I want to see is something like this- with maybe- a remake of the movie? could you imagine an actress today that could touch the incomparable AVA GARDNER?
NO?
No.
NO?
No.
(but this is about what I might expect from Hollywood-Demi that is)
NO?
that's a NoNo.
NO?
( actually a thought-IF it came to that )
NO?
NO. NO. a thousand times NO.
NO?
honest, I don't even kNOw who this is.
NO?
NO, all I can say is NO- not even as a Count.
NO, no more barefoot anything please.
Unless, it's this, & make that the Original.
The Power of a Magazine
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I for one would love to see magazines with Content of the sort Little Augury posted from old House and Gardens & Vogues.. What do the few left standing have in store for us? Where are the wonderfully unique interiors,whether those of a celebrity or an unknown? Can a Cover grab our attention like these could? Can the Content keep our interests?
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I for one would love to see magazines with Content of the sort Little Augury posted from old House and Gardens & Vogues.. What do the few left standing have in store for us? Where are the wonderfully unique interiors,whether those of a celebrity or an unknown? Can a Cover grab our attention like these could? Can the Content keep our interests?
JOLIE-LAIDE, SJP& DV by way of EEE
Jolie-Laide
Etymology: French
good-looking ugly woman :
woman who is attractive though not conventionally pretty.
from mr. webster
I am a fan(a big one) of EMILY EVANS EERDMAN'S blog & this particular post stuck with me-JOLIE-LAIDE The Beauty of Imperfection. Read the entire post here.
I think SARAH JESSICA PARKER fits the bill, as you must know from my little augury quote:
There is no excellent beauty
that hath not some strangeness in the proportion.
Sir Francis Bacon(1561-1626)
I say Thank the gods for women like her in this day and age.
SJP is on the cover of ELLE right now. see more here
excerpted here: all words are Emily Evans Eerdmans'
It is much more interesting to look at something that is slightly imperfect, slightly askew - whether it be a room (MC would purposely pull her curtains off one or two hooks) or a face. And who else but the French would come up with a term for this? "Jolie-laide" or "pretty-ugly" is hard to define, and perhaps, like many French expressions, isn't meant to be.
...the 1963 cover of Harper's Bazaar by Richard Avedon
model Danny Weil
model Danny Weil
"Mr. Worthington sent me the 1963 cover of Harper's Bazaar (top photo) which apparently caused quite a stir: "Only recently it occurred to me that there was an elaborate insider's joke going on~ Richard Avedon was channeling Diana Vreeland with this model's navy blue hair, makeup, cigarette holder (inside the magazine, the same model wore a snood). Then, Walter Winchell ran a squib which implied that the model was in fact not a real woman at all! It was never verified and has intrigued me ever since." (again from EEE)
Whether this be so- the resemblance is distinct- as are the gestures.
Of course! DV's world-always on our minds-was just reimagined in a recent HARPER'S BAZAAR featuring SJP as DIANA VREELAND. Read the story here.
Why don't you just dress up like DV? I am certain she would be highly diverted!
Why don't you just dress up like DV? I am certain she would be highly diverted!
SJP channeling DV
Too bad Bazaar missed the opportunity to explore the DV-SJP likeness on its cover. Surprising? NO. Disappointing? YES.
Come now-Tell me what you think? JOLIE LAIDE? Who would you add to this beautiful LIST?
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DMC & Notting Hill WIN YSL
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Announcing the 2 winners of The Private World of Yves Saint Laurent & Pierre Berge books
DMC- is the winner of the book with the opulent US cover. Congrats DMC.
My Notting Hill wins the UK version. Congrats.
Thanks so much for all the wonderful comments. Originally I purchased the 2 UK books- One for giving away to all you- great readers & followers, and One for keeping. As I looked through it and it is wonderfully filled with Ivan Terestchenko photographs of the YSL & Berge, I decided to get the US copy of the book too. As always- a bit conflicted by the two choices. I do find I prefer the French cover even more- I think it is the RED in the background.
So on to the French version- Ivan Terestchenko says the book will be released later in English with the French cover and added "As a record from an insider, I took this shot FOR the cover right from the beginning, Pierre Bergé who was asked to choose between several other options, selected it instantly " this one of course" he said, so did Peter Saville who designed the cover and the book. By the way, there is also a German edition (the prestigious Rolf Heyne Collection ) who chose to keep this picture but , unnecessarily I think, darkened the red background.
I will be saving a RED YSL copy for my readers.

Winners contact me with your addresses-check my profile for my email.
.

Announcing the 2 winners of The Private World of Yves Saint Laurent & Pierre Berge books
DMC- is the winner of the book with the opulent US cover. Congrats DMC.
My Notting Hill wins the UK version. Congrats.
Thanks so much for all the wonderful comments. Originally I purchased the 2 UK books- One for giving away to all you- great readers & followers, and One for keeping. As I looked through it and it is wonderfully filled with Ivan Terestchenko photographs of the YSL & Berge, I decided to get the US copy of the book too. As always- a bit conflicted by the two choices. I do find I prefer the French cover even more- I think it is the RED in the background.
So on to the French version- Ivan Terestchenko says the book will be released later in English with the French cover and added "As a record from an insider, I took this shot FOR the cover right from the beginning, Pierre Bergé who was asked to choose between several other options, selected it instantly " this one of course" he said, so did Peter Saville who designed the cover and the book. By the way, there is also a German edition (the prestigious Rolf Heyne Collection ) who chose to keep this picture but , unnecessarily I think, darkened the red background.
I will be saving a RED YSL copy for my readers.

Winners contact me with your addresses-check my profile for my email.
.
YSL,BERGE, TERESTCHENKO
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from all the wonderful comments & opins- I would like to share the comment from the photographer of the book IVAN TERESTCHENKO. Find his blog with his fabulous photographs here
He had this to say:
As a record from an insider, I took this shot FOR the cover right from the beginning, Pierre Bergé who was asked to choose between several other options, selected it instantly " this one of course" he said, so did Peter Saville who designed the cover and the book. By the way, there is also a German edition ( the prestigious Rolf Heyne Collection ) who chose to keep this picture but , unnecessarily I think, darkened the red background.

and so ends the lively discussion-whether this is your favoured cover-or one of the other versions. The intent of the artist always -for me-supersedes public opinion.This cover seems to capture the passion of a collection of two complex aesthetes.
There is an audience that each publisher wishes to attract. What does each publisher's buyer look like?
In France-sophisticated aesthete? Fortunately the French cover will be released in English for You Dear Aesthetes.
In the UK- edited aesthete?

Just a guess-No one should miss the extraordinary book about an extraordinary collection of extraordinary men. The photographs are extraordinary too.
Win a copy of the UK version or the US version your preference- Tell me what of the 3 covers you prefer to have in your library. Just add your name to the list of my FOLLOWERS & leave a COMMENT.
the TERESTCHENKO website here. his Editorial COVERS his BOOKS his PORTRAITS
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Ivan Terestchenko, the photographer from his website
from all the wonderful comments & opins- I would like to share the comment from the photographer of the book IVAN TERESTCHENKO. Find his blog with his fabulous photographs here
He had this to say:
As a record from an insider, I took this shot FOR the cover right from the beginning, Pierre Bergé who was asked to choose between several other options, selected it instantly " this one of course" he said, so did Peter Saville who designed the cover and the book. By the way, there is also a German edition ( the prestigious Rolf Heyne Collection ) who chose to keep this picture but , unnecessarily I think, darkened the red background.

and so ends the lively discussion-whether this is your favoured cover-or one of the other versions. The intent of the artist always -for me-supersedes public opinion.This cover seems to capture the passion of a collection of two complex aesthetes.
There is an audience that each publisher wishes to attract. What does each publisher's buyer look like?
In France-sophisticated aesthete? Fortunately the French cover will be released in English for You Dear Aesthetes.


In the US- opulent aesthete?
Win a copy of the UK version or the US version your preference- Tell me what of the 3 covers you prefer to have in your library. Just add your name to the list of my FOLLOWERS & leave a COMMENT.
the TERESTCHENKO website here. his Editorial COVERS his BOOKS his PORTRAITS
.
following & THE PRIVATE WORLD OF YSL & PIERRE BERGE II
.
ah ha!
Aren't the twists and turns of this sphere what draws us always back?
...the comments, the often times enlightening ones, the fellow inhabitants that we respect and rely on to elevate the conversation. le style et la matiere is one of these. She added the French cover of the YSL Pierre Berge book to the mix in her post yesterday & it is arresting. Have a look at the cover here & here.

The photographer IVAN TERESTCHENKO'S site features the French cover, published by ALBIN MICHEL here , along with the subsequent covers published in the UK by Thames & Hudson & the US by Vendome.
Terestchenko also comments on the covers at le style et la matiere here. Go read his comments & see mine as well. If you have already shared your thoughts on the two covers I featured in yesterday's post, I'd love to know what you think of this one. Does it change your mind? Are you on board with the French cover?
Comment on the 3rd cover (That being the 1st one published) with Me here & become a follower of the blog by signing up in the section just below My Profile information. This will make you eligible to win the book of your preference- alas not the French one-but if you are wise you will follow me over here & know what's in the wind. If you aren't following along there-You don't know what you are missing.


read the 1st post on little augury here. read the comments too- they are the best of all!
Notoriously shy, the designer and Bergé lived in luxury, surrounded by incomparable collections of furniture and art. From the serene interiors of their apartment on the Rue Babylone to the incandescent beauty of the Villa Majorelle in Marrakech, Bergé and Saint Laurent’s sensibilities come alive. Taken after Saint Laurent’s death in 2008, Ivan Terestchenko’s photographs capture these exquisite surroundings in full, showcasing nineteenth-century French décor, important paintings by modern and Romantic artists, and masterpieces of furniture, sculpture, and silver ranging from the Renaissance to the Art Deco era. Though the homes presented here are now empty, The Private World of Yves Saint Laurent and Pierre Bergé is a testament to a rare union of passion, elegance, and supreme connoisseurship. (from Amazon)
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ah ha!
Aren't the twists and turns of this sphere what draws us always back?
...the comments, the often times enlightening ones, the fellow inhabitants that we respect and rely on to elevate the conversation. le style et la matiere is one of these. She added the French cover of the YSL Pierre Berge book to the mix in her post yesterday & it is arresting. Have a look at the cover here & here.
COVER III
being the 1st published cover in France
being the 1st published cover in France

The photographer IVAN TERESTCHENKO'S site features the French cover, published by ALBIN MICHEL here , along with the subsequent covers published in the UK by Thames & Hudson & the US by Vendome.
Terestchenko also comments on the covers at le style et la matiere here. Go read his comments & see mine as well. If you have already shared your thoughts on the two covers I featured in yesterday's post, I'd love to know what you think of this one. Does it change your mind? Are you on board with the French cover?
Comment on the 3rd cover (That being the 1st one published) with Me here & become a follower of the blog by signing up in the section just below My Profile information. This will make you eligible to win the book of your preference- alas not the French one-but if you are wise you will follow me over here & know what's in the wind. If you aren't following along there-You don't know what you are missing.
COVER I
UK
UK

COVER II
US
US

read the 1st post on little augury here. read the comments too- they are the best of all!
Notoriously shy, the designer and Bergé lived in luxury, surrounded by incomparable collections of furniture and art. From the serene interiors of their apartment on the Rue Babylone to the incandescent beauty of the Villa Majorelle in Marrakech, Bergé and Saint Laurent’s sensibilities come alive. Taken after Saint Laurent’s death in 2008, Ivan Terestchenko’s photographs capture these exquisite surroundings in full, showcasing nineteenth-century French décor, important paintings by modern and Romantic artists, and masterpieces of furniture, sculpture, and silver ranging from the Renaissance to the Art Deco era. Though the homes presented here are now empty, The Private World of Yves Saint Laurent and Pierre Bergé is a testament to a rare union of passion, elegance, and supreme connoisseurship. (from Amazon)
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following & jackets:The Private World of Yves Saint Laurent & Pierre Berge
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Would you follow? She is not au courant, She is Second French Empire. I am fascinated by all the details of her dress. Take a moment and enlarge the image for a better look. Do you stop to take a second or third look?

Can you judge a book by its cover? Can you afford not to? It always interests me when books are released for the European/UK market with jacket covers so very different from the cover for US release.
Witness THE PRIVATE WORLD OF YVES SAINT LAURENT & PIERRE BERGE.
COVER I
UK/ European

“As he did with fashion, Yves seized at one moment in time, a taste that was in the air, only to show his mastery. During the 1970s exoticism and Marrakech were currents in the air and St. Laurent became the authority. He was interested in Art Deco before it became fashionable, even before Andy Warhol and Karl Lagerfeld . . . St Laurent’s and Bergé’s taste is an expression of a culture and is always a story. When they decorated a house it was no longer an ordinary house: it became a story to tell.” ~Jacques Grange
Which do you prefer? Let me know & the book is yours.
& Yes, of course there is a slight hitch-
Leave a comment telling me which cover you like & why-
& become a public follower of LITTLE AUGURY sign up just under the ABOUT ME section to the right.
if you are already following LITTLE AUGURY- bless you my child- do leave a comment & the book could be yours too.
There will be two winners-winning their preference of covers. I can't wait to hear these comments.
Notoriously shy, the designer and Bergé lived in luxury, surrounded by incomparable collections of furniture and art. From the serene interiors of their apartment on the Rue Babylone to the incandescent beauty of the Villa Majorelle in Marrakech, Bergé and Saint Laurent’s sensibilities come alive. Taken after Saint Laurent’s death in 2008, Ivan Terestchenko’s photographs capture these exquisite surroundings in full, showcasing nineteenth-century French décor, important paintings by modern and Romantic artists, and masterpieces of furniture, sculpture, and silver ranging from the Renaissance to the Art Deco era. Though the homes presented here are now empty, The Private World of Yves Saint Laurent and Pierre Bergé is a testament to a rare union of passion, elegance, and supreme connoisseurship. (from Amazon)
I am constantly amazed at the quality & content of fellow writers of the blogging world- I follow le style et la matiere religiously- What a beautiful place. Illuminating. Read her evocative story about the book covers here & the cover in France with the French text. Merci.
.

Would you follow? She is not au courant, She is Second French Empire. I am fascinated by all the details of her dress. Take a moment and enlarge the image for a better look. Do you stop to take a second or third look?

Can you judge a book by its cover? Can you afford not to? It always interests me when books are released for the European/UK market with jacket covers so very different from the cover for US release.
Witness THE PRIVATE WORLD OF YVES SAINT LAURENT & PIERRE BERGE.
COVER I
UK/ European

“As he did with fashion, Yves seized at one moment in time, a taste that was in the air, only to show his mastery. During the 1970s exoticism and Marrakech were currents in the air and St. Laurent became the authority. He was interested in Art Deco before it became fashionable, even before Andy Warhol and Karl Lagerfeld . . . St Laurent’s and Bergé’s taste is an expression of a culture and is always a story. When they decorated a house it was no longer an ordinary house: it became a story to tell.” ~Jacques Grange
Which do you prefer? Let me know & the book is yours.
& Yes, of course there is a slight hitch-
Leave a comment telling me which cover you like & why-
& become a public follower of LITTLE AUGURY sign up just under the ABOUT ME section to the right.
if you are already following LITTLE AUGURY- bless you my child- do leave a comment & the book could be yours too.
There will be two winners-winning their preference of covers. I can't wait to hear these comments.
Notoriously shy, the designer and Bergé lived in luxury, surrounded by incomparable collections of furniture and art. From the serene interiors of their apartment on the Rue Babylone to the incandescent beauty of the Villa Majorelle in Marrakech, Bergé and Saint Laurent’s sensibilities come alive. Taken after Saint Laurent’s death in 2008, Ivan Terestchenko’s photographs capture these exquisite surroundings in full, showcasing nineteenth-century French décor, important paintings by modern and Romantic artists, and masterpieces of furniture, sculpture, and silver ranging from the Renaissance to the Art Deco era. Though the homes presented here are now empty, The Private World of Yves Saint Laurent and Pierre Bergé is a testament to a rare union of passion, elegance, and supreme connoisseurship. (from Amazon)
I am constantly amazed at the quality & content of fellow writers of the blogging world- I follow le style et la matiere religiously- What a beautiful place. Illuminating. Read her evocative story about the book covers here & the cover in France with the French text. Merci.
.
where Magazines go to die
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"A magazine is like a best friend.
One always keeps Learning from them &
One Loves them more with Age."
One always keeps Learning from them &
One Loves them more with Age."
I am a magazine hoarder. It is something I admit with a certain sort of Pride-though when dusting across the bookshelves-I say that in hushed tones. It's hard to toss them, always has been.
What would I do without them?
I never thought I'd have to really answer that question. I will never go without, as my stash goes back more years than I will admit. I honestly find many back issues more inspiring than the current issues I see staring back at me on a bench in my sitting room. Why?
What will the landscape of the magazine be in say-ten years, twenty, thirty?
The future looks bleak...
from my prized possession of all the now defunct NEST magazine issues
One of THE Absolute BEST EVER Magazines of its kind
(it was too good for this cruel world)
One of THE Absolute BEST EVER Magazines of its kind
(it was too good for this cruel world)
Magazines are emotional. No one NEEDS a magazine, (No, You really don't), but there is something about the beautifully laid out articles, the gloss, the text and the photography that a blog page can not do." As one veteran editor once explained to me, the best magazines make you feel like tearing open the plastic wrap the second that they arrive in your mailbox and curling up on the couch with them, ignoring whatever plans you had for the evening." (quote from Gabriel Sherman's article The Magazine Isn't Dying) This couldn't be more true- however less and less do I find a magazine that lures me in this way. Why?
What does the our style and design blogging community bring to the table?
Can it fill the gaps that the loss of magazines such as HOUSE & GARDEN, DOMINO, SOUTHERN ACCENTS ? These my dears represent only a tiny bite from the apple. I miss them- but there are so many more defunct reads-check out the site- Magazine Death Pool- sadly, but aptly named, chronicling the magazines demise. It is Truly astounding.

Domino- for me was the substitute magazine sent to fulfill my subscription when HG passed on to the Conde Nast scrap heap.I was angry with Domino for inserting itself into my post box- when I didn't ask for it I was missed my House and Garden. It was like losing a dear old companion-cat and immediately dropping a crazy little kitten at my door. It was darling,but I just wasn't ready. Out of Magazine LOVE, I grew quite fond of Domino though- and then what happens? Domino- does just that- it folds.
So what is next for design Magazines & Blogs ?
With still standing favorites, Elle Decor, World of Interiors- I find myself heading to the middle or back of the issue to read the content. I will admit- I always "read" them that way. Later I will go through the entire magazine and read regular features and columns, quickly skipping over the ADs- and therein lies the conundrum. Advertisers drive the magazine-It's why we continue to get these rare birds in the post.The magazine world has been glutted for a few years now with offspring- Vogue> Teen Vogue> Men's Vogue> Vogue Living. (Personally I think Vogue had something with Vogue Living but-). Booming economy & business, More advertising. Economic decline-advertisers pull ADs from magazines that do not have viable subscriber numbers. According to a number of online sources- This is the key to a particular magazine's demise.

What I love seeing- is an unstyled, lived in home. I love reading interviews with actual quotes from designers. I recently remember a blog post about designer ELIZABETH MARTIN from Lana Burroughs at Topsy Turvy. The post was an interview elaborating on the Elle Decor cover story about Ali Wentworth's home. The house was also featured in The Washington Post too. For me, the story came to life with the designer's interview from Lana Burroughs. The Elle Decor and the Post story emphasized the owner- front and center as decorator, the Topsy Turvy story focused on the designer. Why the print stories focus attention on much of the work as Wentworth's - I do not kn0w, But that is certainly another story? This example for the most part is a beautiful blending of three sources about one home. The photographs from the Post and Elle did not overlap- the content was unique in them all. (I've linked these three stories in this text).
If magazine articles are what drive a blog's content- extending the story should be a prerequisite when deciding to post magazine photographs lifted from its pages. Light content loaded with images does little to elevate an original story taken from any magazine. I ALSO enjoy the NYSD posts about Designers- it is an interview format with unstyled photographs. The NYTimes- T MAGAZINE is one top notch publication in every way. The most some of the most original content, perspective and photography anywhere. The MOMENT blog dovetails with it seamlessly.
What next? Interestingly enough- as I thought about this post and sought comments from respected friends- few responded. Maybe it is the unanswerable question. It is new territory for everyone.
One of my friends in the business did say this:
"Quite honestly I enjoy blogging (reading them) as much actual magazines, however, I can't imagine blogs replacing magazines entirely. I find that blogs are easier to get through in short amounts of time and you get a much broader array of opinions/outlooks. The one thing that I do especially enjoy is being able to rip out magazine pages to add to my ever growing files." Alex
I agree Alex. I do find magazines exciting, let's face it -It is THE original. Certainly every blogger aspires to write for one of the magazine's left on the stands today- Don't they?
..in a SWIDE interview Blogger Liberty London Girl gave her take on Print v. Web
"Although I get most of my news online, & think most front of book pages have been made pretty much redundant by the web, I still prefer to look at fashion editorial in print. There’s something about the smell & the tactile quality of paper, the saturation of the colour and the size of the pages. I do think we will see dramatic changes in the print world in the next five years as advertising revenues decline and audiences become more sophisticated."
SO the Question to pose is- "As the pool of magazines gets smaller and smaller, it will inevitably mean the interiors available to cover will become more competitively sought after. How many people who read style blogs would be willing to read about a full house online rather than in the pages of a magazine?"
Will the future of your favourite be ONLINE- ? or on your shelves labeled "Magazine Death Pool?"
What do you think?
Read More at the following sites:
Ad Age
Mr Magazine "New Launches"
Blog List from the MOMENT NYTIMES
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WOULD VOGUE DARE?
Once upon a time when Edna Woolman Chase was Editor in Chief...
Chase started in the Vogue mail room and with her zest for the magazine-quickly advanced." When magazine was in danger of closing, and Chase took it upon herself to make sure Vogue was kept alive. Chase went on the road to persuade people to keep reading the magazine." (wiki) **Conde Nast bought the magazine 1909 and made Chase editor in chief in 1914.
The results:

In today's youth obsessed, starlet world, Would they dare put a woman like this on the cover? A gorgeous woman of indeterminable age, silver hair, with a classical Beaton background. Carmen Dell' Orefice would do nicely.
image from HighValleyBooks (here)
Suggested reading, Chase's book Always in Vogue (1954)
** would Anna Wintour dare?
Bunny love, An Affair with a Room

"A classic is classic not because it conforms to certain structural rules,
or fits certain definitions..
It is classic because of a certain eternal and irrepressible freshness."
Edith Wharton
Hands down, the BUNNY WILLIAMS KIPS BAY SHOW HOUSE LIVING ROOM has been THE most talked about room at the 2009 Kips Bay Charity Event-& likely for years past and years to come. From all the wonderful press I have read about Bunny Williams- I'm not sure if she would adhere to the old saying " I don't care what the newspapers say about me as long as they spell my name right"- but she definitely is the talk of the world of design and style blogs. Months after the room IS no longer, the photographs are taken-
the words "talk" on.
I hope to one day live in one perfect room. If it's perfect I only need one. This one could be a contender- I just need to decide where to put the bed.
THE ROOM

No doubt Bunny Williams is THE quintessential American Designer right now.
Yes, I admire her- in fact- in a blog story about Designer Dogs I said " I feel I know Bunny Williams." Maybe it is because of her own intense love for dogs and her perfectly designed interiors- custom built for style, comfort and intimacy-and for her client's eyes only. It doesn't matter that the entire design world wants to watch.
I love this little spot in Bunny's own home- it says everything I need to know-I already know about her love of dogs:
Books- Look at all those Books!
Flowers
Beloved Art
Color- that inspires, Mellow Wood that gleams
Knowledge of the Legendary Designers
photograph from New York Social Diary
If I could sit down and chat with anyone about the Bunny Williams room other than the designer or her mentor- is my favorite writer at ELLE DECOR- Mitchell Owens. Luckily I could- Well practically. Lucky for everyone, Mitchell Owens writes a blog for the magazine (go here to read his take on Bunny Williams room.)
From my take on his views- I'd say He loved it.
Her Latest Book- POINT OF VIEW
Three Decades of Decorating Elegant and Comfortable Houses

A book from Bunny Williams that I refer back to again and again.

I asked Heather Clawson of the blog Habitually Chic about the scale of the room. Unfortunately- I did not have the thrill of standing there and seeing it- and that can make all the difference. Heather said " I don't know the exact dimensions of the room but it was quite large." Heather wrote an enlightening post with details and photographs that are must reads. I went back and did it too- using some of her photographs in this post. The intimate shots of the room; notepads and pencils, flower presses, books, magazines, all- further show the room's scale, proportions, color and the light and shadow in the space.
photograph from NYSD

Judging from the photographs of Bunny Williams and Albert Hadley (above) that seems to be very much the case. In fact- though the two seem to me a bit larger than life- in proportion to the furniture-Not so. All the more extraordinary that the room feels down to earth!
SKY- EARTH- SUN
color
Another wonderful photograph of Bunny Williams from a beautifully written article from NYSD. You will want to read it- great insights into Bunny Williams- really so down to earth.
What's great about this photograph in terms of the Kips Bay room, is the COLOR. Check out the BLUE, OLIVE, BROWNS, GOLDS. Though the colors do not appear in the same strengths or surfaces -they are SKY, EARTH, SUN.
HOW TO LIVE
Sometimes when looking at published rooms- try one out- imagine your things in the room. Where would I put this OR How could I use this space? It might help you understand your own needs in a room and also help you begin understanding how the design of your favourite magazine room works.
I love- the Dining Area in the Bunny Williams room. I can see all of my design books spread about, laptop and an occasional pile of work on it and the tele tuned in to the cable news or an old movie running- sound down- but flashing inspiring visuals. For my use-I would consider this the Library. Though I don't have children- I could see them with studies on the table and laptops that could easily be monitored in the heart of a house.
& Yes- I think, importantly, the room is child friendly. A huge desire of many clients, " Kids" children, young adults, grandchildren are highly considered when it comes to practicality and performance in a room.
The large sofas, comfortable, and the JACOBSEN chair would be favourites of the young and the young at heart. In this case is not a CLIENT- but I am sure Ms. Williams would have learned a thing or two about what a room must be in order to be livable- and that RED chair- in a reality setting -could be THE thing the client insisted on- but more about that later!
photograph from House Beautiful
photograph from HB

Now I know the room is one I could happily live in when Mitchell Owens sums up the room's "end result" as "fresh but a little funky, bohemian but well-bred." from his Elle Decor stylemonger blog.
another View of the Room-
Essentials, note pads, pencils, great lighting,
umbrella stand, drink table
Essentials, note pads, pencils, great lighting,
umbrella stand, drink table
One of the most wonderful things about this room is the thought that went in to it- A Bunny Williams signature? No- It is the mark of many great designers. Each client tells a different story, has a different set of requirements, wants something uniquely them. The art of "A Bunny Williams" is that her clients get the room they've imagined - with her unique brand -without stamping it ROOM BY BUNNY WILLIAMS. The SAME advice she generously shared with the readers of "bunny's beat" in the Elle Decor" November 2002 issue-"the greatest rooms" - are the same rules she applies to this Show House room or any room she creates.
BUNNY RULES
or
"GOOD BONES"
BUNNY RULES
or
"GOOD BONES"
from the Elle Decor article by Bunny Williams entitled "the greatest rooms"
"4 simple rules to remember when creating a great room of your own:
1
Play with scale.
Do not be timid.
Dramatic, oversize furnishings can amplify a room's exuberance.
Tall pieces visually expand a room whose ceiling height is less that ideal.
2
Create excitement. Combine different periods of furniture.
Mix unusual colors, textures, and moods.
Juxtapose grand and simple.
3
Cultivate a sense of place.
You should know where you are -
city address, urban attitude;
country house, bucolic decor.
4
"4 simple rules to remember when creating a great room of your own:
1
Play with scale.
Do not be timid.
Dramatic, oversize furnishings can amplify a room's exuberance.
Tall pieces visually expand a room whose ceiling height is less that ideal.
2
Create excitement. Combine different periods of furniture.
Mix unusual colors, textures, and moods.
Juxtapose grand and simple.
3
Cultivate a sense of place.
You should know where you are -
city address, urban attitude;
country house, bucolic decor.
4
Maintain and update your space.
A room must sparkle, shine,
and smell delicious
(subtle lighting helps,too.)
and smell delicious
(subtle lighting helps,too.)
the RULES are written right from this room-it would appear- 7 years later.
I am so glad I archived this article- below is the photograph that accompanied the piece about memorable rooms. All with" the perfect alchemy of scale, color, comfort, individuality. (BW)
Her FIRST:
Her FIRST:
Nancy Lancaster's Drawing Room-London
Bunny recalls in the article having tea with Nancy Lancaster in the room in her 20's.
She said of the room- "Everything was big.
The color, considered shocking in England in the 1950's, was a bold lemon yellow.
Most notable was the room's soul-elegant and warm, feminine yet strong willed." (BW)
She said of the room- "Everything was big.
The color, considered shocking in England in the 1950's, was a bold lemon yellow.
Most notable was the room's soul-elegant and warm, feminine yet strong willed." (BW)

Elle Decor photograph accompanying the Bunny Williams article
and an Elle Decor cover below of Albert Hadley's home.

Bunny Williams room has echos of the Hadley room above. All of THE RULES apply. Williams studied with Hadley- master of fusion with modern furniture, antiques and interior design. The wall color- shades of BUNNY? or HADLEY?

Speaking to this idea of good bones in a room: This from "Toby Worthington", a favourite with blog writers- bringing his adroit comments to the world of design and style blogs.
"There is an extensive interview with Bunny Williams in an issue of The Classicist where she discusses her work for Peter and Leni May. (see Point of View frontispiece, etc) That was in 1995 and I recall being bowled over by the depth of her comments, the intelligence and the plain good sense, the careful thought that went into her designs and her innate feeling for the mood of a place."
ELEMENTS OF A ROOM
A gorgeous Sofa
(from The BeeLine facebook page-become a fan!)
"Based on one of my favorites...I enhanced the depth of the seat to accommodate a pair of decorative throw pillows. The apron boasts a whimsical curve and is trimmed in French nailheads."- description from the BeeLine Home website (here)A gorgeous Sofa
(from The BeeLine facebook page-become a fan!)
A Leather Ottoman with inset tray-in production for BeeLine Home
(according to the BeeLine Home facebook page
advance orders are being taken (this posted July 15)
(according to the BeeLine Home facebook page
advance orders are being taken (this posted July 15)

Sisal Rug with painted details

Textiles

Though there is no great photograph of the curtains in the room, they are made from Indian bedspreads. I always like bringing "found textiles" into a room. Their presence gives a less studied, over thought, over wrought appearance. I adore this wonderful "hand embroidered and knotted Indian-style throw on pale, Dupioni Silk ground with olive ribbon technique encasing ottoman silk appliqué reserves and openwork."
It is a limited edition item from Williams BEELINE HOME Collection. The painted chairs in the room had their backs covered in a vintage silk Ikat. I will never tire of Textiles in rooms, be they suzani- as this one is reminiscent of- or the Indian Sari (see the dining table in the room). I will always want to live with them and they are no passing fad. Think about the wonderful Renzo Mongiardino rooms that are swathed in textiles and a recent Elle Decor feature story about designer Lisa Fine's rooms in Paris.
These pillows are from the line too.
"the designs derive from Italian, Indian and French inspiration"
(quote and photograph from the BeeLine Home site)


One of the pieces in the line that I would love to have is the "Naughty Miss Bunny" throw made of French Tissavel faux rabbit fur with choice of "decorative crimson or black grosgrain box pleated trim border." The box pleated border detail one rarely gets in pieces made on the market today. Leave it to "Miss Bunny" not to compromise on the touches that make an accessory standout. The throw appears on the red Jacobsen chair by the fireplace.
The Walls
"Hand-carved Javanese mango wood, applied in a little village outside of Semarang, near the Java Sea. This bas relief mural depicts a stylized garden reminiscent of the plaster work of the 1930’s. Available in an antique white chalky finish over gesso ground." (description from the BeeLine Home website (here)
I immediately noticed this same mirror over the mantel in the Kips Bay room and I'm hoping the mirror is to be a part of the BeeLine Home Collection-though it is not on the Home website yet. Will have to wait and see.
to Albert,
from Bunny
Bunny Williams imparted subtle yet suitable touches that pay " homage" to her mentor Albert Hadley in the room. Again, Toby Worthington said " Bunny's room was the only one that honored the theme to any great extent. The stars in the carpet, the note de rouge of the egg chair, etc, were subtle quotes from Albert Hadley's repertoire." Heather Clawson," habitually chic" blogger, said the red Egg Chair eludes to Hadley's beloved red signatures in many rooms and is also a part of his own personal fashion sense. "The chair is also an unexpected design element in the room that his interiors are known for. He has a modern red zigzag table in his own apartment that is also unexpected. The design on the area rug are stars that are the same that he has used in his wallpaper designs."
Hadley Home
& DV talks about red:
"I can't imagine becoming bored with RED-
It would be like becoming bored with the person you love."
Peaking out of the corner is the revved up red ARNE JACOBSEN EGG CHAIR.
Hadley and his trademark RED, He's gotta love this Room!

additional articles to read about Bunny Williams
the NYTIMES
" Can Taste Be Taught?" READ THIS by Joyce Walder hilarious and delightful
"The Inner Sactum" by Carol Vogel