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Showing posts with label Grand Rooms. Show all posts
Showing posts with label Grand Rooms. Show all posts

making an entrance

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One of the most arresting entrances imagined was created by Pierre Delbee of JANSEN, in the 1960s. Finding the perfect balance in making a grand entrance dramatic, without staging, is a fine one. This hall, as it is referred to in The Best  of European Decoration, satisfies.

Five ebony doors, one, seen above were designed by Delbee in ivory, silver, copper and brass. The grey & blue walls are done in Louis XV-style paneling -the ceiling as well, further defining the space.  Black lacquer cupboards, c.1760, fit jewel box like into the corners and are decorated in carved & gilded wood. The classic leopard fabric, likely a velvet, adorns two benches-note the mismatched attitude of the pair.


Nowhere was  Jansen's craft exhibited more brilliantly. The Delbee creation reads beautifully in these color photographs- from the book JANSEN.


As the entry expands we see a much larger space-& its many incarnations. The Entry-now a Dining Room- is hardly recognizable-were it not for the ebony and ivory veneered doors.


Author James Archer Abott, JANSEN, says Pierre Delbee's residence represents the Jansen firm at its most "CHIC, and Eclectic."  Delbee designed for "sensory impact" and this entry would have been no less than heart stopping.

Recreating such a space- impossible. There is a studied singularity about the room. It would seem set-like & the genius of the room would be lost. The best take aways from Delbee are the jewel box impact: the paneled walls, varying color to highlight the moldings, symmetry, punctuating the grey with all the black that can be found, working the ceiling in the same way as the walls & an unhesitating hand.


sources and photographs sited in the text & here, JANSEN and The Best in European Decoration.

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blog BLISS

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 NH & friend read the blog entry here

in the sphere of blogging there are some stellar ones. new discoveries shining out. One I am especially admiring is the new Nicky Haslam blog. I have written-He is the One, my decorator for the decorator. Is it his ability to nimbly create fresh "period"spaces, references to the grand rooms of the past or his personal joie de vivre?
Inevitably -It must be both.



Now- lo, Nicky & his Creative Director at NH Design, Colette van den Thillart, pictured above are writing the posts and they are going to be all about favorite topics like- design, parties and his inspirations. Can not wait to get caught up on the posts and follow along. If you've read his rollicking biography-memoir You will know the blog will be buzzing.

This is a great new resource for great things- So get off to this post and read the article from Financial Times by Nicky, HALLOWED HAVEN  It is all about the English drawing room. My favorite line from the article is:

The room should not be immaculate: otherwise it becomes stiff, formal and uninviting. NH

My new credo
&
My "if only." room by NH.






Other NH posts at little augury are HERE.
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getting the Picture & what I like

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Susan Gutfreund's Henri Samuel decorated Paris Drawing Room



The most beautiful rooms have something.
Incredible Art?  Architecture? Period Furnishings? Austere Modernism? Frivolity? Perfect Balance?

Is it Color that sets your heart on fire for a ROOM, or maybe Color sends you right into a Zen Zone?
Each of us has our own measuring stick-as it were- that defines Our most beautiful rooms.

Which of these speaks to you? Is it one criteria-
All of the above?
or
None of the above?



Samuel's own apartment 1960
photographed by Mark Shaw
(Nico and her two dachshunds)



For Me- Many of these elements can be present and the room is a huge let down. The "rules" can be executed to the utmost and still they fall Flat.
What do I look for? In my personal choices and professional design choices- I try to envision myself or my Client in the room: Daily routines, family dinners, Social Occasions, Dogs, Skateboards in the Hall- crayons on the floor-and in the carpet. Get the Picture?
A Room has to connect to the Dweller. Someone has to live there. Each time I pick up yet another magazine and flip through the pages- I ask myself-

Who lives here? or WHO Could possibly live here?
Inevitably someone does and they love it Whether We do or not.





It is all subjective. The two Samuel rooms are touchstones for my  own room.
An old house for me, worn floors, carpets- Please NO perfect floors-I die.
I can be perfectly relaxed in a formal setting- No not wearing period silks-but fleece, maybe cashmere-if I really dress.
I care absolutely Not if the door squeaks or floors creak- practically a prerequisite for my perfect room-
&
Yes- a dog or two must be happily ensconced-whether hogging the sofa or resting peacefully in his own little bed.
What makes You "tick" with a room? What makes your "grade" in a MAGAZINE room?

More on the ELEMENTS OF MY ROOM and how I found elements from these Samuel Rooms for my own room next week.


1st Samuel image from Town and Country
2nd Mark Shaw Samuel room from here

just tuck me in

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Do you love a nap? Do you love this Bed?
Photographed by Jacques Dirand, this Paris townhouse decorated by Renzo Mongiardino and Claudio Briganti, is one of those spaces. You know by now what that means. One that I am enamored with- it has been 12 years since I first gazed on these rooms and I am still in love. It must be Real. Of all the stunning rooms here there are many-full of Lichtensteins, Yves Kleins, Dubuffets, the owner's children- my favourite is this MASTER BEDROOM. Full of 19th century chinoiserie from England, the walls are softened with a silk that appears to be a sort of faded violet. The walls are divided by borders perfectly placed for special pieces of collected art.

Here- a few things that would be perfect for a room reminiscent of this one and only Mongiardino.


 


 

 & I love this bed- from Linda Horn, at 1st dibs, but it is a bit heavy. 
What do you think? 
Should I keep looking? 

 & for fabric- No question- my beloved Dragon Empress-by Clarence House. There is a pale colorway with most of the colors shown  in this one-with a celadon rather than the blue. The only one colorway I have not used in a house- so it seems right.

 

It took Mongiardino & Briganti along with their clients 10 years to complete their opus. 
... irregardless of what the design tv shows and instant makeover pages of the design magazines tell you- 
ROOMS are not built in a day.



more here:
HG article- SERIOUS FUN from 1998 June, with William Norwich, Joy Hendricks, Delphine Pietri
read Mitchell Owens tribute to Renzo Mongiardino in the NY Times 1998 obituary HERE
little augury Dragon Empress posts HERE

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the Brandolini Rooms of Vistorta

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Brandolini Family Portrait 
by Horst


There are interiors that stay with you. Some give little reason to change. Perfection- it leaves nothing to be desired. Such is the case in the rooms of VISTORTA di SACILE that Renzo Mongiardino decorated for Conte and Contessa Brando Brandolini d'Adda. Horst photographed VISTORTA -the restored the family's 1830 estate outside Venice more than forty years ago for Vogue. In the article Conte Brando Brandolini said " I tried to capture the atmosphere of a country house in a story by Turgenev." Here with portraits from the period by Madame Vigee Le Brun.


 THE LIBRARY

 
 Princess Anna Sergeevna Stroganov, nee  Princess Trubetskaya1793





trompe l'oeil Biedermeier bookcases, green felt panels framed in floral braid
Charles X




 
 Countess Anna Ivanova Tolstoy, 1801


The Contessa, Cristiana, beauty, socialite, sister of Gianni Agnelli, is mother in law to designer Muriel Brandolini. Muriel comments of the collaboration between the Contessa and Mongiardino-"He was really at his best when he was working with my mother in law." She has been much inspired by the decorations of the pair.


the Countess Brandolini, by Horst






Time sometimes flies like a bird, 
sometimes crawls like a snail; 
but a man is happiest 
when he does not even notice whether it passes swiftly or slowly.
Turgenev




THE DRAWING ROOM


Princess Sapiena, nee Potocka, 1794





 sunlit lacquered walls, festooned curtain in the 19th c. style, emerald & gold Savonnerie 




THE WINTER GARDEN



 Princess Edcocia Ivanovna Galitzine, 1799





Mongiardino at his best, Window design copied from Josephine's Malmaison
the fabric copied from a piece of Indian cotton on sofas, cushions & shades



THE CONTESSA BRANDOLINI'S BEDROOM


Marquise de Fresnes d'Aguesseau, 1789




Evoking the 19th century
White cotton pique curtains with deep tasseled trimmings, tiered, festooned, shaded & swagged





Muriel Brandolini Interior Design here
Le Brun portraits here


& from the pages of Vogue






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on furnishing a house

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"If you have only just enough money to buy a bed, a chair, a table and a soup-plate, you should buy none of these squalid objects; you should immediately pay the first instalment on a Steinway grand."

& so,
He did.


Nichols' own Merry Hall


tripping along in the footsteps of his decorator friend Syrie Maugham .


ACANTHUS PRESS will publish a book this fall, SYRIE MAUGHAM .


Mouflon de Pauline...?

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more from Rose Anne de Pampelonne's work on a Paris pied a terre


Francois Xavier Lalanne's Mouflon de Pauline Sheep Desk
photograph by Richard Powers

the designer said- "You know when Tom Ford, Marc Jacobs and Peter Marino started to buy Lalanne, the prices for his furnitrue skyrocketed."


right from the pages of the newly revamped Vogue Living Australia  July/August 2010 issue.
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a Baroness in Paris decorates

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I don't often show off rooms currently gracing the glossies-
But this one made me stop-
Look,
Read-
& again,
& again.
I love the Paris interiors featured in Vogue Living Australia's July August issue and on gracing its cover.

The designer's name I immediately recognized-
from another set of rooms?
was she a jewelry designer?
Both, but it was mostly the rooms I remembered. (of course) .

Photograph by Roger Davies

full of color, JOY.
elegance, CALM.
these rooms in Elle Decor



 the yellow of a 16th century ter Brugghen feather


This grand Salon in this designer's own Paris home has been cocooned in the a yellow silk damask, trimmed in a green damask with a fine edging of red that defines it all & finds its way onto the passementeried curtains. This emerald green is repeated in a brocatelle on a pair a diminutive chairs- the green akin to Givenchy green.

You know-
that glorious green of Hubert de Givenchy's -
this-his ensemble for Grace Kelly.


-Not to mention the striking Untitled(Black Star) by Philippe Decrauzat moving across a yellow canvas.


& then there is this dress


Need I say more?
just- one more thing.
This bed-
the Baroness added this exotic silver "neo-Baroque" bed and tucked it into the corner of her Salon.

& for the bed-She conjures her own image.


GARBO in CAMILLE.


which came first?
the movie or the room?



"You look up at the ceiling with all those moldings and you say to yourself, This is France!"
-says the designer from her heavenly cushioned corner


with just a hint of the red in a 17th century la Tour turban


All things add up to Rose Anne de Pampelonne.




Baroness Bruno de Pampelonne photographed by Richard Powers
for Vogue Living Australia


The rooms of the Vogue Living were done up by the Baroness for an elegant Russian client. Things look quite different here on the surface-but digging deeper the Pampelonne aesthetic is strikingly present. The interiors are impeccable and I won't revel any more than that first glimpse, but her philosophy of design resounds equally in the text-


"When I make a commitment, it goes down to the bath salts. I'm demanding with clients, asking for approval at every stage because every decision is interlinked."

and

" I believe in unifying interiors with textures and comfort. The grander the house the greater the need to make it feel comfortable."

Is there a bed tucked into the Salon ?
Not telling.
but-
there is a Mouflon de Pauline.

the designer outside her Paris home 
photographed by Roger Davies


I see a Vogue Living Australia in your future-
in your hands.


the jewelry here at the Bag Hag Diaries
her own home in Elle Decor here
the art of Philippe Decrauzat here
the dress at Vogue.com here
Garbo's Camille here
Florence Lopez here
Galerie Herve Van der Straeten here
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Love Affair with a room

How long can you hold on to a page from a magazine- after it loses its corners, clipped and otherwise? Is that 20 years?
Longer, So long I don't know just how long. 25?

this is a special one-it is my Love Affair with a Room tear sheet.
from a Christmas issue (think House Beautiful) of the Victorias- that is FREDERICK P VICTORIA & SON'S-family home. The cabinet maker and antiquarian dealer has a long standing reputation in the design community for crafting exquisitely made furniture. It is a family business.

A must read- here from Ronda Carman about Freddie Victoria, his role in the business and the influence of his parents, Tony & Susan. The room I still refer to-that I have long loved  is that of Freddie Victoria's parents.

In his comments to Ms Carman he describes his parents as yin and yang with-
"one being more whimsical and the other more classic. But from both I have learned the importance of craft and the appeal of uniqueness. Attention to detail and craft are the starting points of the value people place on things. They both have a very well trained eye for style and each is different. I didn’t always understand what they saw in certain pieces, but that has changed and I am learning a bit more each day."

What I find so very fascinating about this- it Perfectly describes why I am so drawn to the room.



what I LOVE and continue to seek in my own rooms and those of my clients-  
Comfort, Louis XV furniture, Quilts, Upholstered Headboards, Luxury Textiles, Blue, Red, Pink, Chinese porcelains, personal photographs, fresh flowers... & a cat.
What's Not to Love?




VISIT :
the Frederick Victoria home from All the Best & House and Garden 1984 here
the FREDERICK P VICTORIA business  here
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a rich nature




Rich colors are typical of a rich nature. 
Van Day Truex


room of Madame Nelia de Cates


What color represents your nature? 




image from Christie's Paris Collection de Madame Nelia Barletta de Cates,2003.
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by Lady Diana Cooper, some Rooms

Diana in Trompe l'oeil 
from The Englishwoman's House


Lady Diana Cooper amongst the Trompe l'oeil panels in the Dining Room of her London home
image above and below from Rooms





the Syrie Maugham decorated Cooper residence
photograph from EEE here


Their Bits of finery : feathers, a decidedly familiar looking garden hat, playing cards, a lucky horse shoe, portraits and replicas of the famous Offering of Diana and Diana the Huntress adorn the Dining Room walls. A discussion of these panels at Emily Evans Eerdmans blog clarify the artist to be Martin Battersby-around 1951 for the Coopers' French chateau in Chantilly.



 
(the settee appears in the Maugham decorated room above)



the young Diana painted by Ambrose McEvoy.


a Hall into Drawing Room
from the ROOMS book, photograph by Derry Moore


Excerpts from The Englishwoman's Bedroom, Derry Moore photographer, Alvilde Lees- Milne-editor
 ~ by Diana Cooper (who better ?), penned most eloquently and poignantly all her words in quotations and italics-



"I think I will write about bedrooms, of which I have had quite a number in my long life. It is the room most houses to which I'm the most attached-offering repose, sleep, privacy, or receiving of friends, clustered or singly, round a bed in which I weightless lie."



 Drawing Room- Little Venice London
photograph by Derry Moore




The Drawing Room





portrait of a young Diana by James Jebusa Shannon
(see it top right hanging above)


"I spent more time in bed because I developed a muscular disease which lasted me three or four years. Stairs were forbidden, so my next bedroom was about as beautiful as reception-room as you could  hope to find: mirrored walls, massively but delicately garlanded with chains of metal-gilded flowers... At lunchtime being carried into carried to my mother's ed next door... I was cured by the age of eleven and lost my sensational reception bedsitter."


the Elizabeth Saloon at Belvoir
Louis XIV style Matthew Wyatt ceiling


In her ancestral castle Belvoir* Diana Manners had the first bedroom of her own.
"Black painted wall, a scooped alcove washing basin, self painted to look as if under water, with a stone cockleshell (protruding) to hold the soap and sways of 'everlastings' in little bunches, and the narrowest, highest, reddest four-poster to the ceiling."



from The Bystander,1906 
image here


painted just after her marriage to Duff Cooper in 1919

Her incredible life took her from the bedrooms of  stately homes, a home in Bloomsbury, hotel rooms while touring the States during her acting days, to Admiralty House- with a bed designed by Rex Whistler. Her husband's career took her to Singapore & Algiers. The Lady remembers her bedroom in Algiers as "the club"often finding Randolph Churchill and Evelyn Waugh having breakfast on her bed. She also found it cozier to sleep in her "valuable" mink coat.


  Duff and Diana Cooper
British Embassy in Paris

 As the Second World War ended, she was off to Paris as the Ambassador's wife-finding her bedroom there to be quite the thing. It was restorative-after she added the bath-a tented affair-in a space just outside the door. She did recover a few pieces of the crimson silk chairs in the fully swathed bedroom, reputed to be that of Pauline Borghese. 


image from Emily Evans Erdmans here

 "The bedroom itself was sensational-walls, curtains, screens, sofas and chairs all of the same crimson red silk and a vast bed crowned at all but ceiling height by an imperial eagle and supported by retour d'Egypte figures "




Lady Diana Cooper
photographed by Cecil Beaton at the British Embassy


From the Borghese bed it was off to Chantilly- and a bedroom with a view-
"I looked south onto well-tended grass sloping down to an important lake, fed by an even more important cascade. No traffic, no tourists- only woodland groves, peopled by beautiful silent statues."



"I came home after about ten years,alas! alone, and found myself a house I would exchange with no other in the best of all quarters- Little Venice-whose bedroom, whence I scribble now, I still find the room of the rooms in the house I like best with forest trees in the garden, a big bed and tiny dog-still, and as always a refuge."



A little hall
the walls covered in silk , intaglios and candle sconces
(see link of similar)


Diana's small elegantly papered bath



Lady Diana's Bedroom full of small drawings and photographs
photographed by Derry Moore




A delightful photograph of Lady Diana ensconced in her bed, surrounded by photographs, paintings, many books, telephone & on her bedside table- a tantalus and document box create a command post effect. There must be a sort of compact and very red lipstick on that table as well. The bed hangings are an exquisite lace finished off in an exotic looking fabric on the canopy
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"This is my life today and nearly every day and has been since I lost my independence- independence being my faithful little mini car, which I am too old to drive. Thus one comes back to one's beginning, but without independence or agility and with failing senses-consciously worsening instead of the unconscious bettering from earliest childhood."



Lady Diana Cooper with her tiny little dog

photograph by Bernard Lee Schwartz 1977
image from the NPG here




reality check-see it today here 
Belvoir is pronounced Beaver
Belvoir here
read more about the trompe l'oeil from Emily Evans Eerdmans here
read more about the bedroom and see photographs, again- at Ms. Eerdman's here
read Rose C'est La Vie's homage to Lady Diana here

Books,  ROOMS, Derry Moore photographer,Carl Skoggard, The Englishwoman's House-edited by Alvides-Lee Milne
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